A few years ago, I attended the Kenmore Camera Expo where printers were being sold. Initially, I was hesitant about purchasing one, but upon reflecting on the countless images I had taken over time, I decided to take the plunge. After starting to print my images at home, I soon realized that this added a new dimension to the photographic experience.

To my surprise, the prints I produced were significantly darker than what was displayed on my monitor. Additionally, certain papers did not yield the desired results for certain images, while others proved to be the perfect fit. As a result, I underwent a significant learning process during this period.

Printing photographs at home enabled me to have more control over the final product and allowed me to experiment with different printing papers to achieve my desired results. The process of trial and error also helped me better understand the intricacies of color and image reproduction.

lone farmstead on highway 2 in Washington

In the serene, snow-covered landscapes of Eastern Washington, there lies an abandoned farmhouse, a silent sentinel of days gone by. As fresh snow blanketed the earth, I found myself drawn to this solitary structure, standing alone in a vast field. The stillness of the moment was palpable, creating an atmosphere of profound tranquility that enveloped me as I endeavored to capture the essence of this forgotten abode. Limited edition print from the Landscape gallery.

Trying different Papers

One of the benefits of owning a printer at home is the ability to make test prints before investing in expensive metal or acrylic prints. Personally, I have found it to be a valuable tool in ensuring that the exposure and colors of my prints are accurate.

While I cannot print on metal or acrylic at home, I have experimented with various papers to find the right fit for my needs. After trying several options, I settled on the Hahnemuhle Baryta gloss 315 gsm paper. This particular paper is made of 100% cotton and has a slightly textured finish, making it acid-free and archival.

But what does it mean for a paper to be considered "archival"? Essentially, archival paper is acid-free and designed to withstand the test of time. It is commonly used for historical or valuable documents and must meet the ANSI Standards ISO 11108. Archival paper is typically made from cotton pulp instead of wood pulp, which is used in most standard paper.

The weight of the paper per square meter is also an important factor to consider. In the case of the Hahnemuhle Baryta paper, the weight is 315 grams per square meter (gsm). Despite its gloss finish, the paper has a subtle reflection that is less distracting than most glossy papers.

The Hahnemuhle Baryta paper also produces deep, rich colors and contrast, giving images an almost 3-Dimensional look. Its excellent contrast makes it especially ideal for black and white prints.

Golden light of sunrise washing over Oxbow Bend and Mount Moran in Grand Teton National Park.

Oxbow Bend, nestled within the scenic grandeur of Grand Teton National Park, transforms into a breathtaking winter wonderland at sunrise. As the first light of the day gently kisses the snow-covered landscape, the iconic bend of the Snake River comes alive with a serene beauty. The surrounding Teton Range, adorned in a pristine blanket of snow, stands as a majestic backdrop, casting a soft, rosy hue across the icy expanse. Limited edition from the Grand Teton gallery.

The most significant advantage of using archival paper is its ability to withstand the test of time. If it is properly protected, it can last for hundreds of years. However, protection is crucial to ensure its longevity. Simply placing a print in a frame without UV-protective glass will not preserve it for long, and the colors will fade over time.

The best way to preserve a print is by using non-reflective museum-quality glass. While traditional non-reflective glass may blur or distort the image, museum-quality glass is crystal clear without being reflective. Moreover, it is 99% UV-resistant, which prevents UV damage to the paper and ink.

It is important to note that museum glass can be quite expensive. Nevertheless, when you are preserving fine art photographic prints, the value of the art you are protecting makes it worth the investment.

After experimenting with various types of paper, I settled on using the Hahnemuhle Baryta paper. Its archival quality, subtle texture, and glossy finish make printing fine art photographs an enjoyable process.

This captivating photograph showcases the natural beauty of Lower Lewis River Falls in southwest Washington state.

The tranquil and picturesque surroundings create a perfect backdrop for capturing the essence of nature's beauty. The powerful rush of water and misty spray combine to create a sensory experience that truly immerses you in the magnificence of the falls. This photograph perfectly captures the majesty of Lower Lewis River Falls and the allure of its natural surroundings. Limited edition print from the Waterfall Gallery.